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incapable of imagining different futures
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the hedonistic thrill of cruising
emotions and feelings of guilt
The Well - Nigel Shafran incapable of imagining different futuresShafrans relationship with the world of commercial photography begins in the mid 1980s as a teenager, continuing through to the iconic magazine years of i D and The Face, and into a recent resurgence in his idiosyncratic, unpretentious approach to the fashion shoot within the pages of Vogue and more. Only recently did Shafran who is known for his delicate, personal approach of weaving together converging photographic narratives begin to understand his
