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along with her four sisters were popular subjects for artists during this period
nuanced hues and textures
Poetry on paper
'Happy Kites' 1990
Brett Whiteley 'Girl Warming and Reading' nudes along with her four sistersBrett Whiteley had a unique understanding of the nude. His approach, likened by art historian Lou Klepac to a cellist, centred around impact. He struck a line, reverberating it into a curve that formed the boundary of the body, anchored by a muss of face or hair. Girl Warming and Reading, limited to the extremely small edition size of ten, exemplifies this intuition. It is striking emanating light and life in a medium, linocut, typically not prone to
