Moving Targets: Women, Murder, and Representation - Helen Birch film The memory of what he

The memory of what he had once been—a man

Cover - "Avenging Angel" - Greg Hildebrandt

In the early 1980s

arguing that individuals must reject the traditional values of altruism and sacrifice and embrace their own rational self-interest in order to achieve true fulfilment and happiness

Moving Targets: Women, Murder, and Representation - Helen Birch film The memory of what heThe rampaging female has become a new clich in Hollywood cinema, a sexy beauty stabbing and shooting her way to box office success. Fatal Attraction, Thelma and Louise, The Hand That Rocks the Cradle, and Single White Female are a few of the recent mainstream films that have attracted huge audiences. Meanwhile, true accounts of a teenager shooting her lover's wife and a battered woman bludgeoning her husband to death get prime news media coverage and