Joseph Goody: Endways, Sideways, Frontways 17 Framing:Framed with Anti-Reflective 70% UV protection glass Of course their meaning is

Of course their meaning is fluid and it represents whatever it is the viewer sees in them

Using the Japanese principles of Shibumi these simple works aim to encourage the viewer to pause and experience the essence of the subject matter

Archival pigment prints onto canson fibre rag museum quality paper

In The In Between is an ongoing body of work by British textile artist Lizzi Mann that explores the ritualistic practice of hand weaving

Joseph Goody: Endways, Sideways, Frontways 17 Framing:Framed with Anti-Reflective 70% UV protection glass Of course their meaning isJoseph Goody Acrylic on Paper H 35 x W 22 cm artwork size Framing notes: Framed works are presented float mounted in a dark brown hand stained wooden frame as standard, including specialist anti reflective glass with 70% UV protection to ensure the archival qualities and depth of colour are maintained. Alternative mouldings, frame styles and higher grades of specialist glass (92% UV protection or museum grade 99% UV protection) are available and can