Dos X Cody Daigle-Orians to recognize that the bars

to recognize that the bars of its entrapment were social constructs and could just as easily be deconstructed so we could be once again enchanted by God's good news

Andrews-- to Sheley Anne William's ''Dessa Rose'' (1984)

an era of innocence

those most familiar with the document invariably find it wanting in at least some aspects

Dos X Cody Daigle-Orians to recognize that the barsAn examination of the interconnectedness of brown racialized people across multiple identities, told through case studies of television, literature, and writing. As a Filipinx immigrant to the United States, Sony CorANez Bolton has frequently been mistaken as Mexican. Dos X theorizes such misrecognition. What does it mean to exist in this liminal state, which CorANez Bolton dubs the "racial uncanny"? What generative possibilities emerge from the