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to recognize that the bars of its entrapment were social constructs and could just as easily be deconstructed so we could be once again enchanted by God's good news
Andrews-- to Sheley Anne William's ''Dessa Rose'' (1984)
an era of innocence
those most familiar with the document invariably find it wanting in at least some aspects
Dos X Cody Daigle-Orians to recognize that the barsAn examination of the interconnectedness of brown racialized people across multiple identities, told through case studies of television, literature, and writing. As a Filipinx immigrant to the United States, Sony CorANez Bolton has frequently been mistaken as Mexican. Dos X theorizes such misrecognition. What does it mean to exist in this liminal state, which CorANez Bolton dubs the "racial uncanny"? What generative possibilities emerge from the
