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who recount and compare their experiences of groups and organizations
their devotion to the Soviet cause
Readers then learn about soft power
Photographs of the philosopher
Curating Deviance Giacomo Chiozza who recount and compare theirIn Curating Deviance, Marc Francis scavenges film history for signs of vibrant, wayward life in the film programming of US art house and repertory cinemas between 1968 and 1989. Francis examines how creative and savvy programmers screened films by the likes of John Waters, Pier Paolo Pasolini, Russ Meyer, Rainer Werner Fassbinder, and a bevy of others in major cities across the United States, forming intertextual constellations in their repertory
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