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this collection serves as a social chronicle of counterculture from the 1960s through the early 2000s
highlighting key issues as they developed in the People's Republic of China
and controversial writings on the treatment of animals
the pre-existing traditions from which they emerged
Vodou Rich Jeanette N. Cleveland this collection serves as aContemporary dance in Haiti challenges global stereotypes of its people, their country, and their worldmaking. Mario LaMothe profiles four celebrated Haitian choreographers to examine the influences that nurtured the generative and transgressive dance practices found today in the Caribbean nation. LaMothe weaves Vodou teaching practices with humanist and social science theory to shed light on how choreographers move among ideas of Haitian bodies as
