Adopt The Cripples (1949) Lowry Prints or personal reflections—always accompanied by

or personal reflections—always accompanied by a classic piece of British art

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Unlike his Lancashire-based industrial scenes

The river winds through a setting of mills

Adopt The Cripples (1949) Lowry Prints or personal reflections—always accompanied byAccording to Lowry The thing about painting is there should be no sentiment. No sentiment. In his view there was a very fine line between extreme grief and extreme laughter. Painted only a few years after the end of the Second World War the characters in The Cripples range from scarred war veterans to those marked simply with social deprivation. Lowry said he had seen all of these people at one time or another and some were well known characters