The House That Burns Everyday Has stock in Germany and we go to Mexico

and we go to Mexico get an insight not how ceramic brand Apapacho is crafted and constructed while editorial director has started a new series entitled OBJEKT

In her essay of the same name

Hollow details the multi-layered artistic practice of Nina Fránková through photographic documentation and an accompanying series of texts and essays by invited contributors Kris Dittel

and spent almost five years working on the pictures for Tora No Maki

The House That Burns Everyday Has stock in Germany and we go to MexicoMarina Gadonneixs work weaves a complex link between documentary and fiction through photographs of places given over to temporary neglect. The House That Burns Everyday recalls a fable whose story, in ashes, would no longer reach us. Marina Gadonneix has chosen to haunt a dummy house used by firemen to become familiar with fire and fighting it. In short, a room of fiction. Fire has raged, soon it will flare up again. In this interstice, Gadonneix